It Is Finished...and a Hint of Upcoming Awesomeness

Jan 26, 2011

I. AM. DONE.

Whew! As of 12:43 a.m. this morning, Devolutionaries is finished and ready for beta readers. Which of course means it's not really finished, but it's finished enough that I'm calling it done. I celebrated with an exhausted "woot" and went straight to bed.

But now I'm awake enough for a full-on WOOT!!! And even a YAY!! And I'll add a YEE-HAW!! for good measure.

I'm afraid that's about all the blog post you're gonna get from me today...except for me to casually and slyly hint that there is much upcoming awesomeness on this blog. Featuring awesome prizes. And warm fuzzy feelings. And you.

It's gonna rock your socks off.

Reading Til My Eyes Bleed

Jan 24, 2011

I'm reading Devs out loud right now, trying to hone my sentences. It's completely exhausting, and it's taking much longer than I expected. So if I'm sparse on the blog this week, it's because I'm reading 'til my eyes bleed.

And yes, it's worth it. I've made so many tiny changes that I never would have caught otherwise, and the book is all the better for it.

Here's my favorite line of the day:

Lainey glared at him. "You’re better than this, Quinn."

"Maybe I am," he said. "But maybe, to make the world safe, I have to be worse than I am."

The Show Must Go On

Jan 22, 2011

So I've got to admit, I'm at that point where I'm totally ready to give Devs a month break when it goes to beta readers. If I have to read/edit certain sections one more time, I'm going to rip my hair out.

Well, probably not. I kind of like my hair.

Regardless, I'm finding it hard to push through my last few edits. I'm pushing it, though-- I've got to finish my plot chart, fix any holes I find, and do an out-loud read through. The show must go on, right?

I'm allowing myself little breaks, though. Last night, I worked some more on TUGL, and I'm getting more excited about it the more I figure out. I've got my setting planned-- there's two main settings that simultaneously echo and contrast with each other, and are symbolic of the society itself. I've got my character relationships starting to work themselves into lovely complicated little knots. I've got my plot beginning to rise from the mud. I can't wait to give Devs a little rest and work on this one.

With any luck, once Devs is back from betas, I'll be eager to jump back into it. I do really love the story, after all. We just need a little space to redefine our relationship.

So, my friends, have you ever had to muscle through a story? Rediscover your love for it? How is your writing going right now?

And now, before I go, I'd like to say thanks to Rachna Chhabria for the Fair Dinkum award, and to Jodi Henry and Margo Kelly for the Stylish Blogger award! You ladies are awesome.



The Writing Process: Revisions

Jan 20, 2011

Well, I think the What's Your Process blogfest was quite a success! Thanks so much to all who participated-- I learned so much from everyone. It was fascinating to see the differences and similarities between everyone's writing processes.

And now, here's the last from me in this series on the writing process: revisions. I've been steeped in revisions for Devolutionaries for the last four months, and I've discovered a lot of new ways to make it work.

My first step after finishing the first draft is to let the story sit for AT LEAST a week-- longer if I can make myself. Then I read it from beginning to end with the eye of an editor. I look for inconsistencies, plot holes, pacing issues, character problems, setting issues, etc. I try to focus on the three "biggies"-- plot, character, and setting. I note all problems I find using the Comments feature in Word.

Then, I take those scene headings I write in the first draft and put them into a new Freemind document. I use the same basic outline form I mentioned in the first draft post. Looking at my story unfold that way, I can see where the big plot and pacing problems are. I start dragging and dropping scenes around, and even add some or make note of scenes to delete or extensively re-write.

Then I save a new version of my actual story draft (I like to keep each draft so I can go back if I need to), and start making all those big plot changes I noted in both my read-through and my new outline. This can take weeks/months, and gets complicated, but it is SO worth the trouble to get the story flowing smoothly.

Once I'm done with that, I go back to my character sketches. I tweak them so they better reflect the character they have become, and I make sure to fill out the 3-2-5 section that is often blank up until this point. I look at places in the story where my character needs to be more unique or strong, or take a different action, or where his relationship with another character changes. I often tweak a lot of dialogue here, too. Setting changes typically go along with this part of the revision-- I try to make sure the setting is well set, and that it is a stronger part of the story.

Then I go back to Freemind. I list out each plot and subplot, and then list every single event that happens in each one. With each one mapped out individually, I can see where one might drop off for a while, or where one might be weak for a few chapters. I go back in and add/edit/delete to make each subplot work.

Then I pull each scene AT RANDOM out of the larger document and paste it into another document, and check it for story flow. I figure out if it starts and ends in the right place, and if it functions as a sort of story-within-a-story (character wants, pacing, dialogue, all that jazz). I tweak it and paste it with changes back into the larger document.

After I've done all my big changes, I let the story sit again. With Devs, I sent it out to my crit group for a Full Novel Review (we all read each other's books, got together on a Saturday, and critiqued the entire thing). After getting their feedback, I've been once again entrenched in rewrites-- smaller, more specific changes this time. I listed the changes out on a 3x5 card and am going through the story from beginning to end to make those changes.

I'm still in those revisions, and once they're done, I'll be doing another plotting sequence to make sure every plotline flows properly-- in more detail this time, chapter by chapter like this. Then I'll do another read-through, out loud this time, to trim, tighten, and otherwise make my prose flow better. And then it's off to beta readers, then a few more tweaks, and then I'll start to query!

So, for what it's worth, there's my revisions process. It's long, complicated, and very apt to change, but so far, it's worked for me.

So, my friends, how do you do your revisions? Do you plan it out, or just dive in and tear the whole thing to pieces immediately? Do you simply scrap the first draft and rewrite the whole thing? If you're doing rewrites and revisions now, how's it going?

The Writing Process: The Outline and First Draft

Jan 18, 2011

Today is the What's Your Process Blogfest! Be sure to check out all the other great entries below to learn more about how other writers work their magic.

As mentioned in this post, I have to have some idea of my characters before I start a draft. I also have to have a basic plot outline. I use a tool called Freemind to map out my plot (see image). I have one main "bubble" with my title that leads to three other bubbles-- Act I, Act II, and Act III.

Act I leads to 2 bubbles: 1) snapshot of hero's old life/opportunity offered, and 2) hero resists opportunity.

Act II leads to: 1)Learning about new life/villain setup, 2) build to climax/try-fail cycles, and 3) climax and ultimate fail.

Act III leads to: 1)Ultimate climax and success, and 2) wrap-up

Then, under each of the bubbles listed above, I write a basic paragraph of what happens in that section. VERY basic. I've been known to write such epic statements as "more bad things happen."

Once that's in place, I begin the writing of my first draft. It usually completely terrifies me. I write from beginning to end--I can't jump around and write scenes out of order. The outline gave me an idea of how to structure the plot, and now I let the actual events of the story work themselves out. It tends to be very messy, but not nearly as messy as when I have no outline to give me a general plot arc.

Sometimes I get a quarter or more through the writing and realize I'm telling the wrong story-- it happened with Devs. So I go back and rewrite it. Sometimes I'll write a scene and realize I took the story in the wrong direction, so I'll cut and paste it into a "cut scenes" document and write a scene that goes somewhere else. Yup, sometimes I edit in my first draft. No point in finishing a story that's wrong, right?

I write in Microsoft Word, and I turn on Document Mapping as I go. I create chapters that at this point mean nothing except as navigation points. For each scene I write (sometimes there are several per chapter), I write a brief description of what happens and put it at the top of the scene as a header. I use Heading Styles so the descriptions show up mapped in order to the left of my document. This makes it easy to jump around to certain points in my document.

It also serves another purpose-- when I'm done with my draft, I take each of my scene headings and make an outline of them in Freemind. There, I can see my storyflow from beginning to end, and see how I need to fix it.

But that's a discussion for the next post-- rewriting.

Now go check out what everybody else has to say. And enjoy!

What's Your Process Blogfest Tomorrow!

Jan 17, 2011

Hey folks, just a reminder that the What's Your Process Blogfest is tomorrow! You can still sign up if you want, or you can sit back and soak in the knowledge of how other writers do it.

Have a great MLK Jr. Day, and I'll see you back here tomorrow. :)

The Writing Process: Creating Characters

Jan 14, 2011

I had planned on doing three posts on the writing process this week, but my Blogger dashboard crashed! It seems to be back, and hopefully won't crash again before the What's Your Process Blogfest.

So now, let's talk about characters. I always have to do some character sketching before I can really move on to writing my story. Of course, my characters ALWAYS change throughout the course of writing, but I have to have an idea of who they are before I begin.

This is the character sheet I use, created by Anne Olwin. It's one of the most complete ones I've ever found. I love that it contains various traits and characteristics.

However, I add several other things to this sheet. Sometimes, if I have a vague idea of the type of person my character is, I start off with the color code personality profile and the Myers-Briggs personality profile. Sometimes I do these a little later, if I'm not really sure yet who my character is going to be.

The last thing I add to the standard character sheet is the 3-2-5 questions. Who is this character? Who are they becoming? What stands in their way? How are we like them? How do we want to be like them? What are their flaws, handicaps, strengths, quirks, and motivations?

I do this one last because it's hard to do it without knowing a few things about my character first. Sometimes, I don't even complete it until after the first draft.

I keep all of this in one document labeled with the character's name. Then, I do a Google search to find a face that could be my character, and sometimes do a Polyvore wardrobe set. All of this is kept in a file within my story file labeled Characters.

And voila! It can sometimes take a while to do all this, but I've found if I at least do the protagonist and antagonist before I start, I can write a much stronger first draft.

So, my friends, how do you create your characters? When do you design them? Do they come to you fully formed, or do you have to drag information from them kicking and screaming? Share with us-- or sign up for the blogfest and share it then!

 
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